Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

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All Songs Considered
4:16 pm
Wed January 8, 2014

The Knife On 'Shaking' Expectations

Karin Dreijer Andersson and Olof Dreijer from Swedish electronic music duo The Knife perform live on stage at Lowlands festival in Biddinghuizen, Netherlands in August.
Paul Bergen Getty Images

Originally published on Wed January 1, 2014 12:43 pm

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The Record
1:41 pm
Wed November 13, 2013

'12 Years A Slave' Is This Year's Best Film About Music

Chiwetel Ejiofor as Solomon Northup in 12 Years a Slave.
Courtesy of Fox Searchlight

Originally published on Tue March 4, 2014 2:02 pm

12 Years a Slave is the most compelling film about music to be released this year, maybe this century. It's so many other things, too, as others have noted: a corrective to the weird cocktail of piety and cartoonishness that Hollywood usually supplies when depicting slavery; a gorgeous art film and an actor's hellish paradise; a cultural highlight of the Obama administration.

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The Record
10:26 pm
Tue November 12, 2013

Holding Music History In Your Hands: Why Archives Matter

Ma Rainey Georgia Jazz Band posing for a studio group shot in the mid-1920s, with Thomas A. Dorsey at the piano.
JP Jazz Archive Redferns

Originally published on Fri November 1, 2013 6:23 pm

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The Record
9:40 pm
Tue November 12, 2013

What Lou Reed Taught Me

Lou Reed onstage in Amsterdam in 1975.
Gijsbert Hanekroot Redferns

Originally published on Mon October 28, 2013 9:57 am

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The Record
3:02 pm
Wed September 18, 2013

Drake And Pop Music's Good Girl Problem

Drake performing in Paris last April.
David Wolff - Patrick Redferns via Getty Images

Originally published on Wed September 18, 2013 2:01 pm

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The Record
11:23 pm
Thu September 12, 2013

'90s Nostalgia Revisited: 6 Musicians We Miss

P.M. Dawn, sometime in the '90s.
Mick Hutson Redferns

Originally published on Fri September 13, 2013 7:11 am

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The Record
5:43 am
Fri September 6, 2013

Innovation And Time-Honored Ways Meet On Nashville Stages

Eddie Stubbs (left), DJ at Nashville's WSM, and Alan Jackson onstage at The Station Inn last Tuesday.
Bill Thorup Courtesy of Universal Nashville

Originally published on Thu September 5, 2013 1:56 pm

Onstage at Nashville's tiny Station Inn, the multiplatinum-selling country veteran Alan Jackson announced that he was nervous. He had reason to be, considering that the music-bizzers who'd scored one of the night's 150 tickets were sitting cheek-to-jowl with regulars, all diehard bluegrass fans. He was there to celebrate his first-ever bluegrass album (out September 24), and right away he made a point of proclaiming that he's really not very fond of dirt roads.

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The Record
7:21 pm
Mon August 19, 2013

Fall Pop Preview: A 'Roar' Of 'Applause' For New Music

This week, Lady Gaga (left) released the song "Applause," from her forthcoming album ARTPOP, and Katy Perry released "Roar," from Prism.
Courtesy of the artists

Originally published on Sun August 18, 2013 3:07 pm

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The Record
4:19 am
Thu June 6, 2013

Country Music's Year Of The Woman

Miranda Lambert performing in April at the Academy of Country Music Awards, where she won best song, best record and best female vocalist for the fourth year in a row. The Lambert Effect has opened doors for many of the new hopefuls blending hard country sounds with feminist-aware attitudes.
Kevin Winter/ACMA2013 Getty Images for ACM

Originally published on Thu June 6, 2013 5:41 am

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The Record
6:08 pm
Wed March 20, 2013

Lessons From SXSW 2013: Take The Middle Road

Natalie Maines (center) at Central Presbyterian Church in Austin, Texas during the SXSW Music Festival. Maines's band included her father, Lloyd Maines (seated left) and Ben Harper (seated right).
Mindy Best Getty Images

Originally published on Tue March 19, 2013 10:48 am

That guy Prince has a sense of humor.

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