It's not unusual for poets to try their hands at pop music-making. Patti Smith was a poet before she was a rock star. In recent years, print-poets such as David Berman and Wyn Cooper have put out more-than-credible song collections. But Mary Karr, known more for prize-winning memoirs such as The Liars Club and Lit than for her excellent poetry, has taken a high-profile risk that's paid off.
A dark and stormy night; an isolated manor house; a knock at the door. These are the surefire elements that have kept Agatha Christie's play The Mousetrap creaking continuously on the London stage ever since its premiere in 1952. And these are the very same elements that make Sadie Jones' new novel, The Uninvited Guests, such a delicious romp to read.
Ray Bradbury, author of The Martian Chronicles and Fahrenheit 451, died Tuesday. He was 91. Bradbury was known for his futuristic tales — but he never used a computer, or even drove a car.
Bradbury was born in Waukegan, Ill., in 1920 and grew up during the Great Depression. He said it was a time when people couldn't imagine the future, and his active imagination made him stand out. He once told Fresh Air's Terry Gross about exaggerating basic childhood fears, like monsters at the top of the stairs.
Using my recent interview on To The Best Of Our Knowledge about the Krauss and the "Universe From Nothing" controversy as a pretext, I thought it would be a good idea to write a bit about what physics says of "nothing," and how this tricky notion evolved. (Here is something I wrote for 13.7 on this a few weeks back.)
Grammy-winning singer and bass player Esperanza Spalding recently led her band, including a large horn section, through a set of jazzy jams in the KCRW studios. Watching her play funky bass lines while singing with incredible range and soul was truly a sight to behold, especially in "Smile Like That." You can watch the entire performance at KCRW.com.