Originally published on Thu March 7, 2013 12:38 pm
Before The Two-Way launched in May 2009, a smart decision was made: We would sit with, and work closely with, the producers, editors and anchors on the NPR Newscast Desk. It made sense to put the hosts of a breaking news blog with the team that gets breaking news on the air. The Newscast team has helped us in countless ways.
The Two-Way lost a dear friend Thursday, someone who brought her sharp mind and editing skills to NPR's newscasts and always gave us good guidance. She also had a wickedly funny sense of humor that made it fun to come to work.
In the 17th century, fugitive slaves founded a free community in the mountains of northeastern Brazil. They called it Palmares. Contemporary accounts describe the courtyards and the fountains, the churches and council meetings of that sprawling settlement, which survived for decades before a concerted military effort by Portuguese colonists wiped it out in 1695.
It's Marches Madness! Throughout this month, we're posting some of our favorite marches — from the concert hall, opera stage and parade ground. Got one we should hear? Played any yourself? Let us know in the comments section.
The newly reunited power-pop pioneers in The dB's make their first appearance on Mountain Stage, recorded live in Charleston, W.V. Often described as the band that filled the gap between Big Star and R.E.M. in the early '80s, The dB's helped change the course of guitar-driven power-pop for years to come.
Originally published on Thu March 7, 2013 11:33 am
Here's a pretty weird, but kind of cool and completely random set of photos: Close-up portraits of artists' eyes. They were taken in the 1960s by British photographer Bill Brandt.
Born in Germany in 1904, Brandt photographed — both independently and on assignment — a wide range of subjects in varying styles: World War II-era social documentary, street scenes in England, where he lived, editorial portraits, abstract female nudes, etc.
Do you remember those school assignments where you were asked to make up a story based on a picture? With Mary Coin, Marisa Silver looks long and hard at an image that has been seared into our nation's consciousness — Dorothea Lange's iconic Depression-era photograph "Migrant Mother" — and compassionately imagines the lives behind it. The result is a fresh angle on the Great Depression and a lesson in learning how to really look and see.