It's lunchtime in the heart of Sao Paulo's financial district. Surrounded by tall buildings of cool glass and steel, men and women in suits and business attire walk back and forth busily in Brazil's largest city.
Standing amid the bustle is Leticia Matos β who is, for want of a better word, a crochet artist. She couldn't look more different from the people around her.
Wearing a short-sleeve shirt and covered in bright, quirky tattoos, Matos is at work, too. About a year ago, she says, she got the idea for her project while knitting and crocheting with her friends.
Rectify, a new drama series from the Sundance Channel, wants to stand out from the pack β and it certainly succeeds at that. It's a six-hour limited series, more along the British model of TV than ours here in the States. If these first six installments catch on enough, the story will continue. If not, that's it.
And Rectify is so unusual a show, with its own deliberate pace and premise and approach, that it may not build enough viewership to keep going. But that doesn't mean it's nota worthwhile show, or a memorable one β because it is.
At least since Pygmalion prayed for his beautiful ivory statue to become a real woman, men have struggled to find a mate who is almost literally made for them. Today you can turn to any number of algorithm-based websites to find your romantic ideal; you can even special-order brides from faraway lands. But in Georgian England, one well-heeled young man sought out his perfect love in a rather shocking and unlikely place: an orphanage.
Originally published on Mon April 22, 2013 12:41 pm
I'm going to out myself. I listen to the "oldies" station on my daily commute to and from NPR West in my banged-up ride, tailpipe barely hanging on. The station's tag-line is "back in the day hits," and my favorite feature is inappropriate relationship advice from a Mexican drag queen who goes by Kay Sedia (as in, quesadilla). The station's call letters are KDAY and it cuts in and out during my commute because its FM signal is weak.
Originally published on Mon April 29, 2013 3:38 pm
On Earth Day 2013, I'd like to draw your notice to a fantastic essay by Andrea Wulf in The New York Times Book Review. Wulf explains how information recorded by Henry David Thoreau in his journals is now informing modern climate-change research.