Originally published on Tue June 11, 2013 10:22 am
I've been to New Delhi where traffic is frightening. I've seen pictures of Nairobi and Bangkok, where it's even scarier. But Ho Chi Minh City? The town we used to call Saigon? I don't think I'd put myself in a truck, car, bike or even a Sherman tank in that town. This video opens in the scariest traffic circle I could imagine — actually, it's beyond imagining — where bikes, cars and people seem simultaneously, collectively and individually heading straight at each other (when you look, just count the vehicles and people on collision course; there are at least two or three in every frame).
The novelist Tao Lin, because he is young, narcissistic and computer literate, gets the "voice of Generation Y" treatment a lot. It's a safe way of pinning down the uncontainable paradox that is Tao Lin: On the one hand, he's meek, cripplingly shy and unusually talented. But on the other, he can be remarkably alienating.
Pete Yorn has been collaborating quietly with fellow Los Angeles musician J.D. King on a new project called The Olms. The band was born in a studio, but has recently taken to the stage to perform live, including its L.A. debut for friends, family and fans at KCRW. Referencing jangly folk and '60s-era Britpop, King and Yorn dive headfirst into a charmingly retro sound with this performance of "Wanna Feel It" at Apogee Studios.
During Tuesday's debate on the Senate's immigration bill, Sen. Tim Kaine (D-Va.) took to the floor and launched into an almost 13-minute speech in support of the bill crafted by the bipartisan "Gang of Eight."
That's not the news. The fact that Kaine delivered it in Spanish is, because it's the first time a senator has delivered a full speech on the floor of the Senate in a language other than English.
Wallace Daniel Pennington grew up singing. His father played guitar and his mother played piano, and by the age of 9, the young man had a guitar of his own. The family attended church on Sunday and Wednesday each week, and to this day, Dan Penn says he remembers the entire Methodist congregation belting out hymns.
The documentary 20 Feet From Stardom, which explores the world of rock 'n' roll's backup singers, opens to the soundtrack of Lou Reed's "Walk on the Wild Side." Reed sings half the refrain — "And the colored girls go, doo do doo do doo" — until a chorus of backup singers pick up the "Do doo" line. At first these women sound far away, but as the chorus progresses, their voices get louder, less produced and polished, more real and intimate.