The simple pleasures of watching Godzilla or Ultraman doing battle on Saturday afternoon television have proved difficult to re-create since their heyday in the '70s and '80s. Big-budget Hollywood attempts to replicate the experience tend to not just be failures, but disastrous, highly polished failures on an epic scale: Roland Emmerich's 1998 take on Godzilla, for instance, or Michael Bay's Transformers series.
Originally published on Fri July 12, 2013 12:06 pm
I'm 45, single, substantially in debt and way too susceptible to jokes about redheads. And I'm telling you these things upfront because ... why not? It wouldn't be all that hard for you — or your Big Brother — to find out.
Originally published on Wed September 18, 2013 3:59 pm
I feel your pain.
Hundreds of you have written to complain about the cancellation of Talk of the Nation. If there is a common thread to your comments — other than anger and disappointment at NPR — it is that you really liked that Talk of the Nation spent time to dig into subjects. A three-minute news story on Morning Edition became a 15 or 30-minute discussion with experts and with ordinary Americans phoning in from across the country.
Liev Schreiber plays the titular character in the new Showtime series Ray Donovan. It's about a Hollywood clean-up man who works outside the law to help celebrities avoid scandal. Schreiber came in to talk to Fresh Air Host Dave Davies about character development on TV and in the theater, his career and even his mom.
"I haven't ever met a Ray Donovan, but I know that they [Hollywood clean-up men] have been around for as long as Hollywood has been around," Schreiber says about his character. "There are these jobs that need to get done that lawyers can't handle."
Two decades ago, when stupid Hollywood comedies were relatively smart, they lampooned their own sequelitis with titles like Hot Shots! Part Deux. The genre has become less knowing since then, so the follow-up to 2010's Grown Ups is named simply Grown Ups 2.
Grown Ups Minus 2 would be more apt.
Like its predecessor, this is a vehicle for Adam Sandler, his pals and whatever they think they can get away with. That means some creepy sexual insinuations, if not so many as the first time.
Fruitvale Station, on the Oakland side of the San Francisco Bay: Grainy cellphone video from a day, four years ago, that commanded the nation's attention. Several young black men sit on a transit station platform, white transit police officers standing over them. There's shouting, scuffling, but nothing that looks worrisome.
Lukas works in a Danish kindergarten, and it's clear he's in the right place: When the kids look at him, they see a great big toy.
That's especially true for 5-year-old Klara, the lonely daughter of Lukas' best friend, Theo. Klara's folks fight a lot, and her teenage brother is too busy looking at dirty pictures with his buddies to pay her much attention.
As you might have read, media sharing app Instagram added a new feature this week. You can now embed Instagram photos and videos on your site.
The rollout of Instagram video didn't go smoothly, as an unknown number of users lost their inaugural videos to processing problems. So I'm putting video uploading and embedding to the test, with the help of my pal and yours, All Things Considered host Robert Siegel.
It's been five and a half years since the recession started, and four years since the recovery began. It's been a brutal time for the U.S. job market (obviously), and the picture is still pretty bleak.
But when you look at individual industries, you see a more nuanced picture. Many industries have lost jobs, but others are employing more people than ever.
To see how the jobs picture has changed since the start of the recession, we created the graph below. Here's how it works:
The size of the circle represents the number of jobs in each industry today.