[I really hope it goes without saying that this piece about the film adaptation of a decades-old novel gives away the plot of a decades-old novel. But: Be aware.]
The sheer zazz that Baz Luhrmann introduces into The Great Gatsby is so imposing in quantity that it's surprising that it can get out of the way enough not to be the biggest problem in the movie. Luhrmann, after all, loves his swooping cameras and party scenes, and Gatsby gives him the best excuse for excess that there is: a story about excess.
What would it be like to be a string that made music? Not anything simple, like a guitar string or a cello string, but a magical string, a sine curve that's taut then loose, that doubles then doubles again, that sheds then dissolves into showers of notes — a flaming, sighing, looping, dissolving string. Curious?
The death toll in last month's collapse in Bangladesh of an eight-story building that housed garment factories has surpassed 1,000.
Officials said 1,021 bodies had been pulled from the rubble, according to The Associated Press. It's unclear what the final toll will be from the April 24 disaster outside the capital, Dhaka; more than 2,500 people have been rescued since the collapse.
Tina Gordon Chism started off as an intern in the writers room of The Cosby Show. Then she wrote two movies: Drumline and ATL. And tomorrow her directorial debut Peeples opens in theaters, so she came in to talk with Tell Me More Host Michel Martin about the film's real-life familiar premise: meeting your significant other's family for the first time.
Scrub away the gore and the nastier bits of provocation, and Ben Wheatley's Sightseers belongs squarely in the tradition of British classics like Kind Hearts and Coronets and The Ruling Class — satires that transformed simmering class resentment into brittle, nasty dark comedy.
<strong>A 'Great Gatsby'?</strong> Leonardo DiCaprio suits up to play the mysterious, magnetic title character in Baz Luhrmann's exuberantly turbulent film adaptation of the F. Scott Fitzgerald novel.
Credit Warner Bros. Pictures
Under the watchful gaze of intrigued Midwesterner Nick Carraway (Tobey Maguire, left) and seething old-money scion Tom Buchanan (Joel Edgerton), Gatsby pays court to Tom's fascinated wife, Daisy (Carey Mulligan). Your local English major can tell you how that works out.
If anyone could pull off a multiplex-friendly adaptation of F. Scott Fitzgerald's The Great Gatsby — a filmtreatment that might be capable of stepping out of the long shadow cast by the book — it's Baz Luhrmann, right? The Australian director who dragged Shakespeare's star-crossed lovers into the music-video-shaken, bullet-ridden '90s with Romeo + Juliet and compressed a century's worth of pop music and melodrama into the glorious Moulin Rouge?
What's left to know about Venus and Serena Williams? Probably not much that the tennis titans would be willing to share, given how heavily exposed they've been already, and how eager the press has been to wedge the sisters into ready-made narratives about race, celebrity and the daughters of a Svengali.