Guatemalan author Eduardo Halfon is this week's Alt.latino guest DJ, and he's a natural choice; his new book, The Polish Boxer, is a series of semi-autobiographical stories woven through with loving references to jazz and classical music.
Alt.latino host Jasmine Garsd had this to say about The Polish Boxer:
It's fun to stay at the ИМКА: Stravinsky's ballet <em>The Rite of Spring</em> triggered an uproar at its world premiere in Paris a century ago. Now we're asking you to help celebrate the centennial by creating a dance of your own.
[I really hope it goes without saying that this piece about the film adaptation of a decades-old novel gives away the plot of a decades-old novel. But: Be aware.]
The sheer zazz that Baz Luhrmann introduces into The Great Gatsby is so imposing in quantity that it's surprising that it can get out of the way enough not to be the biggest problem in the movie. Luhrmann, after all, loves his swooping cameras and party scenes, and Gatsby gives him the best excuse for excess that there is: a story about excess.
What would it be like to be a string that made music? Not anything simple, like a guitar string or a cello string, but a magical string, a sine curve that's taut then loose, that doubles then doubles again, that sheds then dissolves into showers of notes — a flaming, sighing, looping, dissolving string. Curious?
The death toll in last month's collapse in Bangladesh of an eight-story building that housed garment factories has surpassed 1,000.
Officials said 1,021 bodies had been pulled from the rubble, according to The Associated Press. It's unclear what the final toll will be from the April 24 disaster outside the capital, Dhaka; more than 2,500 people have been rescued since the collapse.
Tina Gordon Chism started off as an intern in the writers room of The Cosby Show. Then she wrote two movies: Drumline and ATL. And tomorrow her directorial debut Peeples opens in theaters, so she came in to talk with Tell Me More Host Michel Martin about the film's real-life familiar premise: meeting your significant other's family for the first time.
Scrub away the gore and the nastier bits of provocation, and Ben Wheatley's Sightseers belongs squarely in the tradition of British classics like Kind Hearts and Coronets and The Ruling Class — satires that transformed simmering class resentment into brittle, nasty dark comedy.