This week on Continuum, Milton Scheuermann & Thais St. Julien celebrate the music of the ensemble Sequentia with A Sequentia Festival, using the CDs Spielmann und Kleriker by Sequentia (DHM 7 49704 2 ), Oswald von Wolkenstein - Songs by Sequentia (DHM 05472-77302-2), and Trouveres by Sequentia (DHM 77155-2-RC).
This fall, the 24-year-old Don Jamison Heritage School of Music will move into its first permanent home on Rampart Street, across from the French Quarter. The building’s façade is being sanded and painted for a December opening.
“All the classrooms are gonna have recording equipment so we can record each class,” says Derek Douget, the school’s coordinator of music education since 2010. “We have a state-of-the-art stage where we can do performances at the end of the week.”
It’s easy to tease out the artists who’ve inspired A.J. Croce’s singing over the years — Ray Charles, Paul McCartney, Buddy Holly, even Ray Davies of The Kinks. He loves early rock n roll and R&B. So perhaps it’s ironic that A.J. rarely sounds like his father, singer-songwriter Jim Croce, who made his mark on music in the late 1960s and early 70s.
With nine albums to his credit and more than 20 years as a touring musician, A.J. Croce is his own man, performing his own music. And a devoted fan base has shown its appreciation for the genre-busting of the younger Croce.
This week on Continuum, Milton Scheuermann plays early dance music from the CDs A Dance in the Garden of Mirth by The Dufay Collective (Chandos CHAN 9320) and Istanpitta II by New York Ensemble for Early Music (Lyrichord LEMS 8022).
Originally published on Sun July 13, 2014 10:47 am
Impulse Records is the legendary label that proudly delivered the "new thing" in jazz in the 1960s: avant-garde records from the likes of John Coltrane and Pharaoh Sanders. It also helped jazz cross over to a larger audience; quite a few flower children bought Impulse albums.
This week on Continuum, Milton and Thais play early music centered around Henry VIII from the CDs If Love Now Reigned by the Isaak Ensemble Heidelberg (Bayer Records BR 100132 CD) and Music for Henry VIII by The Hilliartd Ensemble (Saga Classics SCD 9003).
When John Boutté commits to a song, he tailors it like a suit from Savile Row, breaking down the lyrics then building them back up again to say exactly what he means. If a Paul Simon song conjures the image of early Americans sailing to the New World on the Mayflower ship, Boutté will sing the same song and mention early Americans who sailed on the slave ship Amistad. If Dave Bartholemew writes that the grass looks greener somewhere else, Boutté will sing that the grass is greener right here at home.
Did you know that John F. Kennedy was a Republican? Neither did I. But that's what one of my college students guessed in a course on news writing. I asked another kid what period followed the Industrial Age and she said, "The Golden Age?" We moved on.