Kathryn Parker has been at the helm of the Crescent City Farmers Market for just one year. Taking over from the organization's original leader, Richard McCarthy, who went on to become the Executive Director of Slow Food America, Kate says it’s been a year that has flown by so quickly, one with a never-ending learning curve.
“I thought I knew a lot about growing seasons,” she says. “But the more time I spend with the market, the more I am learning."
The building’s gymnasium was transformed into an expansive main gallery that can accommodate Marlene Yu’s sprawling abstract paintings of nature. They drench the walls with color almost touching floor to ceiling.
Tête-à-Tête is a new series that uncovers extended versions of interviews conducted by WWNO journalists. Broadcasting means time limits, and often conversations that range from thirty to forty minutes in length get thirty to forty seconds on air. Tête-à-Tête brings these deeper discussions to light.
Margaret Brown directed and co-produced "The Great Invisible" — a new documentary about the 2010 BP Oil Spill that won the Grand Jury Prize at the 2014 South by Southwest film festival.
The New Orleans Jazz and Heritage Foundation unwrapped a gift to the city on Friday — complete with a giant red bow. City officials, musicians, and New Orleans Jazz and Heritage Festival founder George Wein cut the ribbon on the George and Joyce Wein Jazz and Heritage Center.
The former funeral home in the 1200 block of Rampart Street has been redeveloped as a jazz education center. Free classes for budding musicians will be held in rooms full of instruments, music stands, and screens for digital and remote learning.
"The Great Invisible" is a new documentary about the 2010 BP Oil Spill opening on December 12 at the Prytania Theater. Margaret Brown, the movie's director, grew up on the Alabama coast and saw the impact the spill had on her family and neighbors.
But, as Brown continued to pay attention, she realized this was not just a story about the victims, and that the oil executives were not the only enemies.
New Orleans is a beautiful city. But very little of that beauty is natural. Even our magnificent parks and tree lined avenues are planned and planted. Mostly, when we talk about the beauty of New Orleans, we're talking about buildings.
Almost every commercial building has some sort of artwork on it. We don't typically refer to it as "art" — we more often call it a "sign" — and many commercial buildings have branding artwork inside too. Peter Ricchiuti's guests on Out to Lunch are responsible for some of the city's notable pieces of graphic art.
Preservationists and music lovers in Mandeville are working to create a new seasonal tradition — enjoying jazz music in an open-air, historic jazz hall. Cars lined a back street in a Mandeville neighborhood on a recent Friday, as soft Christmas lights and the sound of jazz lit up the warm autumn air.