Musica da Camera's Continuum

Sundays at 6 a.m.
  • Hosted by Milton Scheuermann and Thais St. Julien

The first Continuum broadcast was in February, 1976, and was hosted by Milton Scheuermann. Thais St. Julien joined him on the second, and the two have continued to co-host the weekly program ever since. During the past 38 years, they’ve produced over 1900 programs! Continuum has been a winner of the Early Music America/Millennium of Music National Radio Competition, and received the KXMS Fine Arts Radio International Award (Classical Radio Programing with Educational Content).

In addition to presenting a variety of recorded music of the middle ages, Renaissance and Baroque from the Musica da Camera’s 4,000 CD collection, the co-hosts have interviewed a number of internationally known performers, including John Reeves White (director of the New York Pro Musica) David Munrow (director of the Early Music Consort of London), Anonymous 4, and members of the Boston Camerata, and Sequentia. The program has also featured recordings of live early music concerts of both Musica da Camera and guest artists.

On this program Continuum presents recordings by two very early "early music ensembles", the New York Pro Musica, under the direction of founder Noah Greenberg, and the New York Renaissance Band, under the direction of founder Sally Logemann.

Continuum presents delightful catches and ballads of Merry Old England— 300 years ago. Featured will be Songs from the Tavern, Dancing in the Grass, Tobacco and Other Stimulants, and Men and Maids.

This week Continuum presents A Flemish Feast, featuring music of the Netherlands — including songs and dances that were very popular during the Renaissance.

Continuum presents excerpts from the 12th century manuscript, Carmina Burana (The Songs from Beuern). This medieval manuscript was discovered in 1803 in the library of the Bavarian Benedictine monastery of Benedictbeuern in southern Germany.

Music performed by one of Americas leading early music ensembles, The Waverly Consort, is presented on this Continuum.

Three of their CDs are featured, presenting music from the Cantigas de Santa Maria of Alfonso X, some of the songs of 14th century French composer Guillaume de Machaut, and the complete Llibre Vermell (The Red Book), a collection of ten pilgrim songs of the late 14th Century.

Continuum presents a program by the outstanding early music ensemble Sequentia, now in its thirty-eighth year of performing medieval music, some of which has been hitherto unknown.

This program focuses of two major works from around the year 1200, The Story of Samson & Delilah and The Labors of Hercules. These two pieces are in the form of narrative lais, a medieval type of story telling in a vocal style prevalent in medieval times.

The Baroque composer Antonio Caldara (1670-1736) is best known as a creator or operas, cantatas and oratories. This program presents one of his most interesting compositions, music composed for a social gathering in the form of a comic chamber opera.

The composition is called The Card Game. The performance is by The Queen's Chamber Band, conducted by Stephen Alltop and featuring soprano Julianne Baird and contralto Patrice Djerejian. The recording is The Card Game - Albany Troy 705.

The early music English vocal ensemble Gothic Voices was founded in 1981 and has since recorded 25 CDs.

This Continuum program presents excerpts from four of their recordings, featuring early music from Germany, France, Spain and England.

The name Anonymous Four is quite important to early music. It represents two identities: the first, Anonymous IV, an unknown writer of an important treatise of medieval music theory, particularly about the music of Notre Dame in Paris in the 13th Century.

The second is Anonymous 4, a contemporary female vocal quartet specializing in medieval music. They began their career in 1992 and are still performing quite regularly.

Musical instruments produce their sound in many ways. This program is devoted to two instruments: one that's plucked (the harpsichord), and one that's bowed (the cello).

Harpsichord music by Francois Couperin (1668-1733) is performed by New Orleans-born Skip Sempe, and solo suites for cello by Bach are performed by Tess Remy-Schumacher.