On Friday, the Dalai Lama will be giving the first of two public talks at the New Orleans theatre in the Convention Center. For many, the Dalai Lama’s visit is reminiscent of the last major religious leader to pass through New Orleans 25 years ago.
When Pope John Paul II visited New Orleans in 1987 it was described as the Super Bowl of all Super Bowls.
25 years later, Archbishop Gregory Aymond remembers it well.
By the time it is finished on Friday morning, the mandala will fill up the entire table. Shortly thereafter, it will be swept away and ceremonially deposited into the Mississippi River.
One part of the Dalai Lama’s visit to New Orleans is the creation of a sand sculpture by Tibetan monks. The meticulous process is open to public view outside Hall G at the Convention Center.
Ronald Marks' involvement with the Louisiana Himalaya Association and Tulane University has established a strong connection with leaders in the Tibetan community.
Most New Orleanians have probably heard that the Dalai Lama is in town this week. But perhaps you do not know of the work it took to bring the spiritual leader of 6 million Tibetan Buddhists to this city.
On this week's Notes from New Orleans, Sharon Litwin talks with Ronald Marks, the Tulane scholar who organized the visit.
Just outside Hall G of the Ernest N. Morial Convention Center, Tibetan Monks are busy at work on a ritualistic spiritual exercise.
Credit Thomas Walsh
While chants echo in the background, monks prepare the multicolored sand used to build their project.
Credit Thomas Walsh
The intricate process must be carried out one grain of sand at a time.
Credit Thomas Walsh
Slowly, a mandala is constructed.
Credit Thomas Walsh
Common in Buddist and Hindu religious ceremonies, the mandala can be viewed as a microcosm of the universe.
Credit Thomas Walsh
By the time it is finished on Friday morning, the mandala will fill up the entire table. Shortly thereafter, it will be swept away and ceremonially deposited into the Mississippi River.
His Holiness the 14th Dalai Lama is visiting New Orleans this weekend for a series of pubic speaking events. This past week a group of Tibetan monks gathered at the Ernest N. Morial Convention Center to construct a mandala, which will be completed on Friday morning and then ceremonially deposited into the Mississippi River that afternoon.
In his State of the City Address last week, Mayor Mitch Landrieu praised the New Orleans Recreation Development Commission for the growth of this year’s summer youth programs, which include 33 youth camps, seven teen camps and an expanded summer jobs program. For parents and guardians seeking something a bit more rural, it’s also possible — and right within New Orleans city limits.
Located in the northernmost reaches of City Park, Equest Farm is straight out of a Laura Ingalls Wilder novel.
Kenneth Terry with the Treme Brass Band plays the trumpet Monday during a community response to a shooting during a Mother's Day parade in New Orleans.
Among those hit by bullets in Sunday's shootings at the Mother's Day second line was journalist Deb Cotton.
She writes for The Gambit, and covers the city's street culture. She remains alive, reportedly in stable condition, but badly injured by the incident. New Orleans author and journalist Jed Horne has worked with Cotton. He writes in The Lens this week about her perspectives on violence in the city.
Aubrey Edwards tells her story of finding Virginia at Bring Your Own on July 10, 2012. Produced by Jesse Chanin.
This is a story told by a New Orleans resident at a local event called Bring Your Own. It is a live storytelling pop-up series that takes place in living rooms, backyards and other intimate spaces within the community. Each month, seven storytellers have 7 minutes to respond to a theme with live, unscripted, true stories.
With spring time comes a spirit of creative energy, renewal, and transition. Thus, the latest edition of All Things New Orleans is apropos for the season: we’ll hear about new programs at UNO, new leaders in the community, and new stories from the Bring Your Own series.
A ride on Club Whatever, and an interview with the DJ/Driver behind the wheel.
You may have seen it before: a behemoth of a vehicle, rolling at a snail’s pass up Canal Street blasting speaker smashing beats. Its violet exterior shields its partiers from the outside world — all that can be seen of them are their arms, flailing wildly from every open window. And then there is the noise: a penetrating boom that reverberates off the surrounding buildings, shakes the bus and compels riders and bystanders alike to bounce up and down.