Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

It's a pleasure every week to take a little time to talk about culture, and it's especially a pleasure when we get to welcome a new member to our fourth chair. This week, it's Daisy Rosario of Latino USA, who you might have heard previously during a discussion with me about the upcoming Gilmore Girls return.

"Specificity is the soul of narrative" is a thing John Hodgman likes to say when he's hearing cases on the smart and funny Judge John Hodgman podcast, and it's applicable to documentary film, too. Documentaries devoted to a topic with heft do better if they can find a particular angle, a particular way into the question.

On May 30, Slate published a feature called The Black Film Canon, a list of the 50 greatest films by black directors.

On May 30, Slate published a feature called The Black Film Canon, a list of the 50 greatest films by black directors.

On May 30, Slate published a feature called The Black Film Canon, a list of the 50 greatest films by black directors.

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Oh, American Idol. You were too good for this world.

OK, maybe not too good. Maybe too rooted in people voting via telephone calls.

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The hard numbers on Sunday night's Primetime Emmy Awards told a story that could look a little dull to the glancing eye.

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